Gareth Pugh is best known in the beauty-sphere for the otherworldly backstage looks that he cooks up with makeup artist Alex Box each season for his high-concept ready-to-wear presentations. Who can forget Pugh’s Goddesses From the Grave Spring 2010 show, featuring a barrage of models sporting a gray complexion (courtesy of an airbrushed application of MAC Pro Micronized Airbrush Foundation in a combination of Black and White), bleached brows, and eyes lined in red pigment? MAC Cosmetics certainly hasn’t forgotten. The makeup giant has just announced that it is pairing up with Pugh for a full-scale collection that will launch globally in November. The range will include multiple color products and accessories in “special packaging,” which we imagine will focus heavily on Pugh’s preferred palette of black, white, and gray. Style.com also hears that the products will make their debut at a cocktail party next month in New York to celebrate the collaboration, followed by a backstage turn at the designer’s show in Paris come October. For those of you wondering how Pugh’s special brand of gothic gloom will translate in makeup terms, his unexpected divergence into a (limited) selection of bold color for Fall could offer a clue. Those memorable cobalt blue and gold looks sure would look nice in eye shadow form. —Celia Ellenberg
Daphne Guinness with Barneys CEO Mark Lee (left) and Barneys Creative Director Dennis Freedman (right) via Getty Images.
Documentary filmmaker Brennan Stasiewicz infiltrates the cosseted world of Daphne Guinness in Daphne’s Window. Featuring intimate footage of the icon at her Fifth Avenue apartment, the short follows the eccentric fashion patron and socialite as she prepares for her recent installation in the windows of Barneys New York. The storefront showcased her collection of pieces by designer Lee Alexander McQueen and a selection from the archive of fashion editor Isabella Blow, which Guinness purchased in its entirety last year. The display culminated in a performance art piece in which Guinness dressed for the Met ball in one of the flagship’s windows, modeling a lilac feathered gown designed by McQueen’s Sarah Burton. “She appears to me as someone always in a window,” says Stasiewicz. “Someone you can approach and see, but you remain on the other side.” This year brings a multitude of projects for the heiress: her sculptural armored glove collaboration with jeweler Shaun Leane (pictured in today’s film) will be exhibited by Jay Jopling in a private viewing in London later this month; and in September a retrospective at The Museum at the Fashion Institute of Technology will pay homage to her style. “Daphne is someone to take pleasure in, and in many ways, someone who incites moments of wonder,” says Stasiewicz.